Breaking the Law Amp Settings
by Judas Priest
Original Recording Settings
Original Gear
- Guitar
- Glenn Tipton: Fender Stratocaster (modified); K.K. Downing: Gibson Flying V
- Pickups
- DiMarzio Super Distortion (Tipton's Strat), stock Gibson humbuckers (Downing's Flying V) (bridge)
- Amplifier
- Marshall JCM800 / Marshall Super Lead 1959
- Channel
- Single channel, cranked
- Tuning
- Standard E
- Pickup Selector
- bridge
- Strings
- 0.010 gauge (Ernie Ball)
British Steel was the band's commercial breakthrough and featured a tighter, more direct guitar sound than previous albums. The Marshall heads were cranked for natural tube overdrive. Producer Tom Allom captured a rawer, more stripped-down tone.
Amp Settings
Effects Chain
Playing Technique
The iconic riff is played with a simple, driving downstroke pattern. Tight palm muting on the lower strings creates the chunky rhythm. The dual-guitar approach has both players in unison for maximum impact. The song deliberately avoids a guitar solo — it's all about the riff. Medium-heavy pick attack with consistent dynamics.
Sources+
- Equipboard.com — Glenn Tipton and K.K. Downing profiles
- Guitar World — Judas Priest rhythm style lesson (confirms Marshall, mid-heavy settings)
- Music Strive — Judas Priest amp settings guide (Tipton's modified Strat with DiMarzio Super Distortion)
- Wikipedia — Glenn Tipton (career gear overview)
- Student of Guitar — Judas Priest guitar tone analysis
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