Every Breath You Take Amp Settings
by The Police
Original Recording Settings
Original Gear
- Guitar
- Early-1960s Fender Telecaster (Andy Summers’ heavily modified main instrument; commonly associated with this era)
- Pickups
- Mixed: Gibson PAF humbucker (neck) + Tele bridge single-coil with onboard preamp/phase switch (documented on Summers’ main Tele) (bridge)
- Amplifier
- Roland JC-120 Jazz Chorus (commonly reported for very clean headroom on this track; treated as best-available inference)
- Channel
- Clean channel; chorus/vibrato likely engaged subtly (inferred)
- Tuning
- standard
- Pickup Selector
- bridge
- Strings
- Unknown
A commonly repeated studio-summary for this tone is Telecaster into a Roland JC-120 for pristine clean headroom; this is treated as a plausible/likely setup but not confirmed here by a session sheet.
Amp Settings
Effects Chain
Playing Technique
Very precise arpeggiated picking with controlled timing and clean fretting; keep chord grips ringing while avoiding string squeak. Use a consistent down-up pattern with minimal dynamic variation to let compression and modulation produce the ‘shimmer’ rather than right-hand accents.
Sources+
- Guitar Player (2026-03-16), "The Police's Andy Summers Built His Signature Sound With the Assistance of an Electro-Harmonix Electric Mistress" (documents Summers’ modded Tele-style guitar details in this era; used for guitar-mod context)
- Gold Radio (Facebook post summarizing the track’s making; includes claim of Telecaster into Roland JC-120)
- The Gear Page (forum thread excerpt noting Summers statements about JC-120 usage specifically on "Every Breath You Take"; used as secondary support)
- Reverb (2025-06-12), "Potent Pairings: The Police's Andy Summers" (modern recreation video gear list; used only as inference for commonly associated pedals, not as studio proof)
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