Beast and the Harlot Amp Settings
Original Recording Settings
Original Gear
- Guitar
- Schecter C-1 FR (Pearl White, mahogany body, Floyd Rose tremolo, ebony fretboard)
- Pickups
- Seymour Duncan SH-8 Invader (bridge and neck) (bridge)
- Amplifier
- Bogner Uberschall (120W, EL34) blended with custom Bogner 'Caveman' prototype (~140W, single channel)
- Channel
- High gain (Uberschall); single channel already crunchy at 9 o'clock gain (Caveman)
- Tuning
- drop_d
- Pickup Selector
- bridge
- Strings
- 0.010-0.052 (Ernie Ball Skinny Top Heavy Bottom)
Only 3 Caveman prototypes exist. Described as 'Bogner's version of a Dumble amp.' Blended approach was the core technique for City of Evil guitar tones per Fred Archambault. Bogner UberKab 4x12 and/or Mesa Boogie 4x12 with Celestion Vintage 30 speakers. Shure SM57 microphone.
Amp Settings
Effects Chain
Playing Technique
Fast alternate picking, sweep-picked arpeggios, pinch harmonics, dual harmony leads in thirds/sixths with Zacky Vengeance, extensive Floyd Rose tremolo bar use. Gates stated the solo pushed his limits.
Sources+
- Synner Forum — 'Gear used on early A7X albums: The vault of Fred Archambault' (2021)
- Synner Forum — 'Custom Bogner Amp used on CoE, Self Titled, and more AMA' (2020)
- Guitar World — 'Dear Guitar Hero' interview (2009)
- Premier Guitar — Rig Rundown (2013)
- Equipboard — Synyster Gates profile
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