Back in Black Amp Settings
by AC/DC
Back in Black's crunchy, mid-forward Marshall tone is one of rock's most recognizable sounds. Angus Young achieved this with a 1970s Marshall Super Lead cranked to 10, combined with the secret ingredient: a Schaffer-Vega wireless system that adds 30dB of clean boost and compression.
What Makes This Tone Iconic
The tone perfectly balances clarity and crunch. It's not a wall of distortion — you can hear every note in Angus's chords, but there's plenty of grit for his leads. The SVDS compression adds a percussive snap that makes the rhythm parts punch through the mix. This is the benchmark for classic hard rock crunch.
Key Tone Elements
- Marshall plexi Super Lead with all controls at noon and volume dimed
- SVDS wireless system providing 30dB+ clean boost with compression
- Gibson SG with bridge humbucker (T-Top pickups)
- Non-master-volume amp cranked for natural breakup
- No pedal distortion — all amp and SVDS compression
Original Recording Settings
Original Gear
- Guitar
- 1971 Gibson SG Standard
- Pickups
- Stock Gibson T-Top humbuckers (bridge)
- Amplifier
- 1970s Marshall 1959 Super Lead 100W / Marshall JTM50
- Channel
- High treble input, both channels jumpered
- Tuning
- standard
- Pickup Selector
- bridge
- Strings
- 0.009-0.042 (Ernie Ball Super Slinky)
Multiple Marshall heads used during sessions including plexi Super Leads and JTM50 with solid-state rectifier. Marshall 4x12 cabs with Celestion G12-65 speakers.
Amp Settings
Effects Chain
Playing Technique
Medium-heavy pick attack with Fender Heavy picks. Wide vibrato on leads. Volume knob 5-6 for rhythm, 10 for solos. Tone at 10. Minimal palm muting.
Sources+
- Guitar.com: 'Gear Used By Angus/Malcolm Young on Back In Black' (2023)
- Premier Guitar Rig Rundown: AC/DC, 2016
- Guitar World: Angus Young tone secrets - published amp settings
- Equipboard.com - Angus Young
- SoloDallas Schaffer Replica documentation
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