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Nu Metal / Alternative Metal1 song

Slipknot (Mick Thomson / Jim Root) Amp Settings & Guitar Tone

2004Drop B (B-F#-B-E-G#-C#)1 effectCrunch
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Featured Tone

Duality (2004)

Mick Thomson: B.C. Rich Warlock Custom (USA-made, 'HATE' inlays). Jim Root: PRS Private Stock or early Fender prototype (exact studio guitar undocumented) Mick: VHT Pitbull Ultra Lead + Carvin 4x12. Jim: Custom one-off modified Bogner Uberschall (~70% of record) + Bogner Uberschall 'purple mod' blended with Mesa Boogie Mark IIC (~30% of record)

Cleaner, more defined, and more articulate than Iowa — Mick specifically noted the shift. Reduced gain, increased midrange. Mick's tone emphasizes mid-to-high frequencies for clarity. Jim's Bogner delivers thick, dark saturation. The contrast between the two guitars creates the full Slipknot wall of sound. Rick Rubin's influence brought more controlled, musical dynamics compared to Iowa's raw aggression.

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Typical Gear & Settings

Average Amp Settings

Gain
6.0
Bass
5.0
Mid
5.0
Treble
7.0
Presence
2.0

Amplifiers

  • Mick: VHT Pitbull Ultra Lead + Carvin 4x12. Jim: Custom one-off modified Bogner Uberschall (~70% of record) + Bogner Uberschall 'purple mod' blended with Mesa Boogie Mark IIC (~30% of record)

Guitars

  • Mick Thomson: B.C. Rich Warlock Custom (USA-made, 'HATE' inlays). Jim Root: PRS Private Stock or early Fender prototype (exact studio guitar undocumented)

Pickups

  • Active humbuckers

Effects & Pedals

Octave Fuzz

Custom octave fuzz (built by guitar tech Kevin Allen)

Playing Style

palm mutingtremolo picking

Slipknot (Mick Thomson / Jim Root) Song Tones

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